Hi all, today’s blog post is personal. I wanted to talk about why I chose to certify in the Salimpour School of Dance. This past week there has been a lot of conversation around belly dance burn out and the change of the industry, which has made me reflect on my study and what I bring to my students. I’m not comparing or contrasting this program to others, this is my own personal experience and I hope it helps you think about this program as well!
My first Suhaila workshop was in the spring of 2005 in Charleston, South Carolina. Ziah Ali of the Awalim dance company gave me a ride and told me these workshops were vital to my training. To say these workshops kicked my ass was an understatement and it couldn’t have come at a better time. I was a sophomore in college, in my early twenties and had many workshops and years under my belt so naturally I felt like a hotshot. These workshops humbled me. The movement was so complex I could barely keep up, sweat was pouring from my body and I was in a zen of concentration. I LOVED that feeling (and I still do).
Soon after, I joined Ziah and Awalim dance company and learned how to produce a truly polished product on stage. My years with Awalim and the Salimpour influence shaped me as teacher and a dancer. I did get my first Suhaila Level 1 certification in 2009, but did not keep up with the program. Over the next few years, I would take the multi-level workshops when Suhaila came to Atlanta, but did not feel ready to pursue certification. Faaridah of Atlanta Fusion Belly Dance had begun to bring Suhaila consistently to Atlanta and started a Salimpour Collective which I also joined in 2015. It was at this time that I started to think about certification.
I took a lot of time to think about both the Jamila and Suhaila certification programs. What would I gain from them? Was the investment worth it? Would I lose my own artistic personality as a dancer? After some deep thought, I decided to pursue the certification. My first certification trip to the mothership in 2015 for SL1 and JL1. I’m now level 2 certified in both programs and I am REALLY enjoying the strength and depth of my dance. There is a lot of buzz in the belly dance world around certification, codification and standardization. To add to that discussion, I’d like to provide my personal reasons why I joined the Salimpour School of Dance Certification Programs:
- Any dancer, plus size or not, will be challenged by this school. The Suahaila certification especially focuses on challenging movement that layers feet, hips, body, arms and zills at various timing. I can take that and apply it to my own dance.
- Academic study. As you progress through the program, there are multiple opportunities to study not only belly dance, but also the art of dance and performance. Sometimes I feel the belly dance community loses that element and I’m happy to have that embedded in the certification. I have an entire library of books, DVDs and tools that I can dork out with! I’ve also branched out into other styles of dance for more foundational studies, ballet in particular.
- Arabic music. This should not come as a surprise! This is my passion and it also happens to be a passion for Suhaila. The in depth work we do with Arabic music in these programs are so vital. You get to work with talented Arab musicians which is a treasure in today’s belly dance world. I don’t care what style belly dancer you are, you need the history and background of Arabic music.
- I love the structure of the program. It is clearly outlined what you need to do to work through the program. The curriculum is robust and the fact that you must consistently apply effort is a big deal to me. Not everyone passes. Not every chooses to go through the entire program, that says something about the caliber of the program.
- Foundation and observation of movement. This format has taught me to observe dance and be able to break down that movement. Ziah and the Awalim dance company played a large role in this too. As a ‘natural’ dancer, the ability to break down and understand movement hasn’t been the easiest for me.
- I’m a plus sized dancer. I chose the Salimpour format as my work out and get healthy. I’m about 80ish pounds lighter than when I started and I plan to continue my path to health and wellness. A lot of that is attributed to food and lifestyle changes, but dance also played a huge part and in particular the Salimpour program.
- To be able to find my own dancer. I’m very sensitive to my own style and voice as a dancer. I feel like this program gives me tools not only in movement, but also in how I can apply movement from this school AND OTHERS into my own performance voice. I’ve written choreographies very differently since progressing in the program, they are not complex for the sake of being complex. They say more and have more depth. This could also come from having more life experience, but the program has given me tools to be able to interpret those experiences into performance. (Collages for the win!!)
Reasons why I didn't join the program
- I did not join the program be a clone of Suhaila. I find this to be insulting, but I have heard this said before. Suhaila is her own dancer, chorographer and creator and so am I. If the moment comes where I begin to emulate her style in my personal choreography and performance, I feel like I have failed the program.
- I did not join to only learn a single style of dance. While the Jamila certification is a distinct style, it’s also a basis for a good chunk of American style belly dance. What an opportunity! That doesn’t mean that I don’t pursue classes that focus on Reda technique, Bobby Farrah technique or ATS – I still do.
- I did not join the program to learn Suhaila choreographies. The choreographies are a learning tool for me. They have stretched my ability to learn someone else’s method and style that I can apply to learning other choreography. It keeps me on my toes and sharp. I feel like I can learn a choreography so much faster now.
- I did not join the programs to feel superior to other dancers. The Salimpour certifications are very personal to me. This is a structured path that is increasing my dance ability. I feel like it has given me a lens where I can perceive other belly dance performance, styles and schools and a means to be able to translate and interpret that variety for myself.
Links: Direct from the Salimpour Website About Certification