Video Clips from trip

AUC Folkloric Troupe August 2008



Randa Kamel - Nile Maxim December 2008



Sufi Troupe at Al Azhar Park November 2008

Maybe, just maybe

Plans are in the works to go back to Misr with my friend Dave for the month of November...!!

Some last photos

Its been some weeks since I've been back in the country. School has started back, and time has ran away from me. Egypt was the adventure of a lifetime...a culturally shocking experience that this southern girl will always keep close to her heart. I do plan on coming back to Egypt, and when I do, I'll revisit this blog. But for now, I will leave with some of the last remaining photos and videos that I haven't posted yet.

Ma'a Salam ya Misr.

Sharm el Sheikh



Nile Cruise and Arabic Music Ensemble Concert Photos



Zaar Concert

Updates and coming home

The last couple of days in Cairo have been full of amazing adventures...and then the internet cut out of the entire Middle East. Really. A ship off the coast of Alexandria weighed anchor and cut the main DSL line giving Egypt, the Sudan, and some other countries internet. The entire country of Egypt was without internet for 48 hours.

I have lots of pictures and stories to post, but in my last few days here in Cairo, I am trying to save my moments. I should have the following posted before the New Year when I am back in the States with a fast internet connection:

- Pictures from Sharm El Sheikh
- Pictures from Luxor, Aswan, and everthing in between
- Pictures and video! from the traditional Zaar I saw in Cairo
- Write up of the Sufi Dance troupe of Egypt (no video at the performance hall)
- Write up of my experiences from my sufi dance lesson with Said Tanoura


Youtube videos of the following:
- Sufi dance show with both Sufi and Istaradi styles at al Azhar park in Islamic Cairo
- Folkloric troupe I saw in Giza - Saiidi/ beledi style
- AUC folkloric troupe - Saidi + tahtib + fellahi styles at AUC campus
- Zaar performance from Makaan cultural center off Saad Zaghlul in Cairo
- 3 separate performances of Randa Kamel on the Nile Maxim, pretty good lighting!
- Video my myself being taught sufi dance, you wouldn't beleive how heavy those skirts are!

Musical Salons/ Jam Sessions in the ATL

Salam aleikum min el Qahira!

This past semester I’ve learned so much about Arabic music. I really don’t want to loose what I’ve learned, so I’d like to see if anyone in the Atlanta area is interested in coming to weekly music rehearsals/ jam sessions/ learning sessions about Arabic music. I would like to be able to share what I’ve learned so I can practice and not forget it! Any instrument would be welcome, just keep in mind that quartertones are harder to play on some instruments than others.

I have some sheet music from this semester in Cairo, but I’m open to learning things by ear as well, which is how it really is done. The sheet music is all in C as I play the violin, so any of you b flat player be prepared to transpose the music if you want to play it.

We could hold it at different locations in the Atlanta area or agree to have it at a central place. I don’t profess in any shape, form, or fashion to be an expert in Middle Eastern music, just a student who wants to grow her skills with en ensemble! I would like this to be very low key and fun and hopefully a way to grow a handful of students and musicians that appreciate and want to perform Middle Eastern music, especially so that when the big names come in town, we can really benefit from their instruction.

So, who is interested?

Arabic Percussion

Last Monday two guests artists, Met’hat Mamdua and Khaled Abu Higazzi came to my Arabic music theory class class to give a lecture on Arabic percussive instruments. Mr. Met’hat is a very accomplished tabla player, who plays for Arabic singers all around Egypt - including Amr Diab! He also is involved in a Turkish band that recently played at the Sakia el Sawy this month. Mr. Khaled, who gave most of the lecture, specializes in the riqq and also performs regularly with ensembles and Arabic singers. After the lecture, which is summarized below, both musicians accompanied the class for rehearsal for our concert next Thursday.

Khaled started off the lecture by introducing the main percussive instruments of Arabic music. There are three main instruments, the tabla, the duff, and the riqq. The tabla is a goblet shaped hand drum that can come in up to four different sizes. The largest size is called a dahola, and the smallest is played by acclaimed percussionist Raquy Danziger. The standard Egyptian tabla weighs about six to seven kilos. The drum head, or the ra’ima as it is referred to, used to be made of fish skin, but now is made from synthetic materials. The reason for this change was the constant hassle of retuning the fish skin head as the material would stretch. Drummers would have to heat up their drums on heating pads to make sure the drum head would not stretch to be out of tune. Now, with the synthetic head, drummers do not have to have that hassle or worry about temperature change as much as in the past.

Players lay the tabla on their lap with the head of the drum facing in towards the opposite knee. The doum, or the strong beat, is normally played with the right hand giving an even base tone. The tak, or the weak beat, can be played by both the left or the right hand and in many different styles that include the normal tak sound on the very edge of the drum, or within rolls, pops, and snaps. The third type of sound is ‘es’. Es is the filling of silence between the doums and teks, or the heartbeat of a darb (darb is Arabic for rhythm).

The next instrument Khaled introduced was the riqq. The riqq, or the Arabic tambourine as it is sometimes called, is a small frame drum played upright with two hands. The doum and tek are opposite of the tabla as the doum is played on the edge of the drum frame, and the tek is caught in the middle of the drum. The es is mostly emphasized by the galagel, the five groups of four sets of cymbals set around the frame of the riqq. Like the tabla, the riqq used to have a ra\ima made of fish skin, but now it is synthetic. Another interesting feature of the riqq is that its frame is tunable. Players may tune a riqq higher or lower for different sounds throughout a piece.

The third instrument introduced was the duff. The duff is a large frame drum that keeps the heart beat of a darb. Duff players do not play ‘es’, rather they play the doums and teks of a darb whilst the tabla and riqq players elaborate. The duff is mostly recognized with the zeffa, a wedding procession in which a distinct darb is played for the bride and groom as they walk together through family and friends being presented as newly weds. A cousin to the duff, the maz’har is a duff with cymbals. The maz’har is slightly smaller than the duff, but both are considerably bigger than the riqq.

Arabic percussive sections change according to the type of ensemble. The two most popular ensembles are the takht and the firqa. A takht is a small chamber ensemble that consists of a qanoon (similar to a zither), kamanga (violin), ney (wind instrument), oud (the grandfather to the lute), and percussion instrument, most often the riqq. In these ensembles and smaller firqas the riqq is the lead percussion. When in larger ensembles, such as a firqa, the tabla becomes the lead instrument for the percussion section. In addition to this, the riqq is usually featured in pieces with longer darbs, while tablas are mainly used for shorter darbs and solos.

Pics of Mohamed Ali Mosque in the Citadel

Just an afternoon at the citadel, after we went to al-Azhar park and saw an amazing Sufi show...which I may post on youtube at some point.